A coiffeuse–écritoire by French designer André Monpoix, model “810”, produced in the 1950s. Formed in richly figured wood and set on a slender metal base.
The top is divided into two lift-up lids, revealing compartmentalised storage. One side is fitted with a mirrored interior for use as a dressing table, the other arranged for writing and small objects. The dual function is handled cleanly – contained within a simple, rectangular form.
The metal base is pared back and precise, giving the piece a sense of lightness. The join between the two is quietly resolved, allowing the cabinet form to appear almost suspended.
A clear example of post-war French design, where utility and refinement are held in balance.
Height: 72 cm
Width: 101 cm
Depth: 55 cm
Collection from Brixton, London or arranged delivery.
About the designer
André Monpoix (1925–1976) was a French designer associated with the Atelier de Recherche Plastique (ARP), working alongside Pierre Guariche and Joseph-André Motte. His work is characterised by clarity of line and functional, modular forms, often combining wood with metal in a restrained modernist language.
A coiffeuse–écritoire by French designer André Monpoix, model “810”, produced in the 1950s. Formed in richly figured wood and set on a slender metal base.
The top is divided into two lift-up lids, revealing compartmentalised storage. One side is fitted with a mirrored interior for use as a dressing table, the other arranged for writing and small objects. The dual function is handled cleanly – contained within a simple, rectangular form.
The metal base is pared back and precise, giving the piece a sense of lightness. The join between the two is quietly resolved, allowing the cabinet form to appear almost suspended.
A clear example of post-war French design, where utility and refinement are held in balance.
Height: 72 cm
Width: 101 cm
Depth: 55 cm
Collection from Brixton, London or arranged delivery.
About the designer
André Monpoix (1925–1976) was a French designer associated with the Atelier de Recherche Plastique (ARP), working alongside Pierre Guariche and Joseph-André Motte. His work is characterised by clarity of line and functional, modular forms, often combining wood with metal in a restrained modernist language.
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